Once Upon a December Piano Sheet Music Easy Free



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from Anastasia-Now included in the Broadway musical version of this classic stor�(+)

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from Anastasia-Now included in the Broadway musical version of this classic stor�(+)

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from Anastasia-Now included in the Broadway musical version of this classic stor�(+)

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for Concert Band-Among Goldman's many contributions to the band's repertoire hi�(+)

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1 CD containing the background accompaniments for: Matchmaker; I Taut I Taw a Pu�(+)

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Piano solo
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Piano solo
Alfred Publishing

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12.10 EUR - Sold by Woodbrass
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Bedrich Smetana: Piano Trio In G Minor Op. 15: Piano Trio: Score and Parts
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G. Henle

When Smetana composed his Piano trio in the autumn of 1855 it was an act of cat�(+)

When Smetana composed his Piano trio in the autumn of 1855 it was an act of catharsis to recover from the death of his four-year-old daughter Friederike. This highly emotional work was also his first large-scale piece of chambermusic. Its first public performance in December 1855 was regrettably not a great success and so Smetana embarked on a protracted process of reworking it. By the late 1850s it had reached its current form. Smetana always liked toperform it but only found a publisher for it in 1880 when one of his pupils invited the Hamburg publisher Hugo Pohle to a performance at short notice. Smetana specialist Milan Posp šil has based this Henle Urtext edition on thefirst edition by Pohle but has also drawn upon the earlier sources. This has enabled him to iron out numerous inconsistencies found in the first edition.

28.25 GBP - Sold by Musicroom UK
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Alcazar M. - 12 Preludios - Guitare Solo
Editions Orphee, Inc.

Miguel Alcdzar was born in Mexico City on April 26 1942. He followed a professio�(+)

Miguel Alcdzar was born in Mexico City on April 26 1942. He followed a professional career which involved activities in the fields of performance, pedagogy, musicology and composition. He gave the first performances of the Concertino by Blas Galindo, with the composer himself conducting the National Symphony Orchestra of Mexico, the Concierto of Manuel Ponce, in its original version, the Concerto of Michael Horvit, which was dedicated to Alc�zar, the Concierto of Enrique Santos, with the American Wind Symphony Orchestra, and the 24 Preludios of Ponce. His recorded output includes music for baroque guitar of music in the manuscript 1560 in the Biblioteca Nacional, works by Bach and Weiss for lute, as well as unpublished music by Ponce and other Latin-American composers. Alc�zar has been a faculty member of the Cleveland Institute of Music, the Conservatorio Nacional de M�sica, where he received his degree with honors in 1972, and later at the University of Veracruz. His publications of Mexican music were published by the Liga de Compositores de Mexico, the University of Veracruz, Tecla Editions of London and Editions Orph�e. miguel.jpg (6157 bytes)The 12 Preludios were written by Miguel Alc�zar as the result of his first two trips to the Soviet Union. During the first trip, in November-December of 1983, he met Nikita Koshkin during the presentation of Alc�zar's work at the Union of Composers in Moscow. A few days later, he promised to write something for him, as a way of commemorating the beginning of their friendship, if Alc�zar would write also something for Koshkin. Both agreed upon this and when Alc�zar went back to the Soviet Union, for the International Music Festival held in May of 1984, Koshkin gave him The Elves, a suite in five movements. The composition of the 12 Preludios was started during the Christmas vacation of 1984 and terminated by mid-January of 1985. Both works, The Elves and the 12 Preludios were premiered by Alc�zar at the Ponce Hall of the Fine Arts Palace in Mexico City on March 15 of 1988.

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Triptych (Vocal Score)
Choral SATB
SATB, Orchestra
Novello & Co Ltd.

Cantata for string orchestra and chorus. Triptych represents the concatenation a�(+)

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premi�red as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premi�red as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

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PUCCINI G. - LE VILLI - CHANT ET PIANO
Voix solo - piano
RICORDI

What is being presented here is the piano vocal score of Le Villi, Giacomo Pucci�(+)

What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini�s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi�s printed edition of the piano vocal score. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI

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Le Villi
Piano, Voice
Ricordi

Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIAC�(+)

Ed. critica di Martin Deasy - Riduzione per canto e pianoforte. Par PUCCINI GIACOMO. What is being presented here is the piano vocal score of Le Villi, Giacomo Puccini�s first stage work, the full score of which was published by Casa Ricordi (NR 141755) in 2020.The premiere of Le Villi took place at the Teatro Regio in Turin on 27 December 1884, and was followed by a Milanese performance at Teatro alla Scala on 24 January 1885: both productions were quite well received by critics and public alike.The critical edition by Martin Deasy is based on the autograph score that Puccini initially prepared for the one-act version (Willis), and later modified for the two-act, revised version (Villi). Pursuing a groundbreaking philological approach, the editor has, furthermore, taken into proper consideration the contemporaneous printed editions of the piano vocal score, which constitute, in his view, the principal collateral sources, if one is to consider the particular genesis of this work. For it is certain that Puccini, upon entering the Sonzogno competition, submitted a score of Willis that lacked proper orchestration in a few pages and displayed, above all, incomplete vocal lines. However, he also provided a manuscript reduction for piano and vocal score (now lost, except for the final Number of Willis) that was undoubtedly more detailed, as far as the vocal lines were concerned. The editor demonstrates that the vocal material realized for the first performance of Willis was not derived from the autograph score, but from the lost score reduction. The latter also served as the basis for the preparation of Ricordi�s printed edition of the piano vocal score./ R�pertoire / Chant et Piano

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Popular Movie And Tv Songs For Boomwhackers Musical Tubes Perc
Fran�ais [Sheet music + CD]
ID Music

Rejoindre le ph�nom�ne Boomwahcker avec ces grands films et des airs de t�l�visi�(+)

Rejoindre le ph�nom�ne Boomwahcker avec ces grands films et des airs de t�l�vision! Ce recueil est l'un d'une s�rie de mat�riaux provenant de tubes Boomwhackers Musical. Visuels p�dagogiques reproductibles sont fournies pour l'orientation des �l�ves. Un CD est inclus pour fournir des pistes d'accompagnement. / Percussions Diverses / niveau : Facile / Partition + Cd

28.64 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier

Boom Boom! Popular Movie and TV Songs: Mixed Songbook
Piano, Vocal and Guitar [Sheet music + CD] - Easy
Alfred Publishing

for Boomwhackers Musical Tubes-Join the Boomwahcker phenomenon with these great �(+)

for Boomwhackers Musical Tubes-Join the Boomwahcker phenomenon with these great Movie and TV tunes! This songbook is one of a series of materials from Boomwhackers Musical tubes. Reproducible teaching visuals are provided for the guidance of students. A CD is included to provide accompaniment tracks.

24.95 GBP - Sold by Musicroom UK
Pre-shipment lead time: In Stock

williamslande1963.blogspot.com

Source: https://www.free-scores.com/shop/once-upon-december-sheetmusic--600210-USA

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